#ann kenny

[annandkirbykennyworld]

https://www.instagram.com/annandkirbyworld ♡

[anthonyopal]

TIE ME UP, CUT THE ROPES is a pamphlet of ten poems about creating a new personal mythology, intrepid and vulnerable, in light of the old.

[bluejey]

happyyy halloweeeennn!!3!!2 🎃🎃👻👻👻

[supercalime]

Girl who’s too old for DCOMs talks about Descendants Rise of Red for way too long:

- Literally no joke, I’m a firm believer that this is the best descendants movie and I wish we could’ve followed this story since the beginning

- im so so happy that they had a much bigger budget! This franchise really needs big set pieces, a lot of CGI, costumes that look expensive and a cast that can actually act, so it paid off

- ok so I’m gonna highlight a few things, let’s go

- I was really shocked they killed Carlos off (for obvious reasons, my respects to Cameron), as this franchise is for younger kids and dumbs down a lot of things. China’s delivery and her tears made me very emotional. Which is no surprise as she carried the other 2 movies she was in on her back

- Red is a very likable protagonist but some choices made for her character were boring. She’s not really looking for approval from her mom and she clearly has a good head on her shoulders so I don’t see the reason of having the “fake outs” that she will actually sentence someone to death but again, kids movie

- we only got one and a half scene of Maddox but I already love him

- Rita Ora and Brandy ate and left no crumbs. They play queens because they are queens

- after the reveal that there was a prank that turned the QOH evil, I expected that Cinderella had something to do with it (more of that later)

- I did cringe a little on how much rapping/sing-talking there was. If you want that hire Lin Manuel Miranda

- I’ll forever be bitter that Disney flipped Kenny Ortega off and stabbed him in the back, but that being said, Jennifer Phang couldn’t have done it better. She knew how to work with the script and the budget. Although some of the photography and choreography felt a bit weird

- it was certainly a choice that young Bridget looks nothing like her older self. Specially um…skin tone wise. There’s some implications I won’t get into

- im very surprised on how little we saw of the supporting characters. I thought Aladdin, Jasmine and Fay were going to be more prominent. And poor zellie (btw stupid name, just use Rapunzel)! Who got cut out of the movie completely!

- Aladdin and Jasmine were absolutely adorable!

- uliana and the other villains were fun antagonists. They were what I expected so I don’t really have notes.

- it probably has something to do with the IP but I don’t see why not have Uli just be Ursula but whatever

- I do appreciate that this installment finally made clear of what the lore is. We finally got confirmation that this universe isn’t a sequel to the movies, which was very confusing in the first 3

- this is gonna sound horrible but. Im so glad they committed to killing Cinderella. I do wish they had done that before Chloe and Red time travelled to give Chloe more motivation. In fact I’m very happy that this movie was darker than the other. Disney animated movies always had a lot of death so this feels closer to them than the other 3 ever did

- Now onto me thinking Ella was in on the prank, this will be long: the movie has third act issues and it was very anti climatic, which even led me to believe there was going to be a twist until I saw there were like 5 mins left. Anyway, when Cinderella told the QOH “it was just a prank and that was so long ago” I was convinced she had been involved, so I was looking out for it. I was reading into every expression Ella’s actress had and thought I saw that she was pretending to be Bridget’s friend to get out of her abusive home. I thought that it would’ve been revealed that when the prank was done, she’d maybe just do nothing and leave Bridget helpless because she was afraid that if she did help, she’d never be like the other princesses or something. It would’ve been so cool to see Chloe’s view of her mom shatter, as she only knew her as this benevolent queen who’s only kind and perfect.

- obviously none of that happened and the climax felt really flat. We should’ve seen the dance in the beginning of the movie, not knowing who the characters were, then we go to the present, then once the time travel happens, we don’t spend as much time before the dance and we get the dance a little before the third act and see a few of the things play out. Like Ella and charming falling in love, or even Fay giving her the dress and shoes before, and a Carrie like scene of the prank almost happening that is stopped by Red and Chloe. Then back to the present and a BIG ENDING MUSICAL NUMBER!

- All that being said, I hope we get more sequels. I think it would be cool to see this as more of an anthology thing, following different protagonists so the stories don’t feel too stuck into a few characters. Also Disney, cmon. You’re a streaming site now, let’s get some cannon queer characters please

[dozydawn]

JC Penney, 1988.

Model: Ann Kirsten Kennis.

[everythingwasnormalhere]

Guys. Guys what if. South Park x SIX The Musical au

[nofatclips]

Why Would I Let You Go by Sondre Lerche, live at NRK with the Kringkastingsorkestret, from the album Patience Deluxe

[gatutor]

Ann Miller-Kenny Baker "La última revista" (Radio city revels) 1838, de Benjamin Stoloff.

[nerds-yearbook]

In 1945, the Doctor (Doctor 7) and his companion Ace arrived at an army base (that was stockpiling nerve gas and using a super computer to decode intercepted German messages) near the close of World War II. Ace met her mother as a baby. The Doctor was caught up in all sorts of adventures involving Viking runes, Russian commandos, Haemovores and Fenric. ("The Curse of Fenric", Doctor Who, vlm 1, TV)

[bigballboy69]

I can’t support you horny straight women anymore. Making that little gay boy kiss Anne Hathaway☹️☹️☹️

[doe-earth-n]

Kenny has returned to Seacouver and it turns out that he is also Amanda's student like Tori. When he uses Tori as bait to set up Richie, it becomes time to take his head but will Amanda allow it?

Note: I would have posted this sooner but fanfiction site was down. Sorry for the delay.

[annandkirbykennyworld]

https://www.instagram.com/annandkirbyworld ♡

[anthonyopal]

“[Cinders] are the better paradigm for what I call the trace - something that erases itself totally, radically, while presenting itself” (Derrida, ‘Cinders’).

TIE ME UP, CUT THE ROPES is a pamphlet of ten poems about creating a new personal mythology, intrepid and vulnerable, in light of the old.

Author: Ann & Kirby Kenny // Pamphlet, 16 pp, 7 x 5.25 in // Language: English // ISBN: 979-8-9885108-7-1 // Published: October 1, 2024

Available from The Economy Press

[religion-is-a-mental-illness]

By: Leigh Ann O'Neill

Published: Jun 12, 2024

So, I have a confession: I am a Kenny Chesney fan. His song "Get Along" has always been a favorite of mine, but it didn’t achieve great significance in my mind until I started this job. As many of you know, I am the Director of Legal Advocacy for FAIR, and a big part of my job is fielding complaints from people who have faced discrimination at work or their children’s schools. Some have been outright barred from participating in events and activities based solely on their skin color. Others have been compelled to participate in discriminatory practices against their wishes for the same reason. Suffice it to say, the stories I hear are often quite grim and don't showcase the best of humanity. Instead, they frequently highlight discriminatory “DEI” efforts—present discrimination as a means of correcting past discrimination. These tactics are inherently flawed and bound to fail.

When the so-called “great awokening” began to sweep the country in 2020, my primary feeling was confusion. We were told that America is a systemically racist country and that the opportunity to succeed depended entirely on one's skin color. That racism was not in fact discrimination against an individual based on their race, but that racism = prejudice + power. The proposed solution was to decolonize America—a revolution.

I was confused by these proclamations because, as far as I could tell, they were not entirely accurate; many were themselves fundamentally racist. Has America and its leaders made horrid, unthinkable mistakes throughout history? Definitely. Do racist people still exist in America today? Of course. It’s the sweeping generalizations of the new orthodoxy that are suspect. Quite frankly, based on what I can see with my own eyes, it’s nonsense. However much actual racism there is in the world today, it is amplified 10X the moment you open social media. I have found that if we let it, sometimes the real world might just pleasantly surprise us. 

Every member of a group categorized based on shared skin color does not think or act the same as the others. Nor does one’s likelihood of success in life depend on which group they are assigned to. Race-essentialist and reductive notions like these aren’t just crude, they’re wildly improbable. They’re also dangerous. What could go wrong in resurrecting the pernicious principle that the law might rightly treat people differently based on their immutable traits, so long as it fits the popular narrative of the day? The current dogma of “intersectionality” and “oppressors versus oppressed” is ultimately a losing proposition. It will logically fail on its own, and I believe that failure will be accelerated by love.

Fifty-seven years ago today, the Supreme Court handed down its opinion in Loving v. Virginia, the case that challenged anti-miscegenation statutes in several states. The plaintiffs, Mildred Jeter, a black woman, and Richard Loving, a white man, were married in the District of Columbia and then returned to Virginia to establish their marital home. Soon after, a grand jury indicted the Lovings for violating Virginia’s ban on interracial marriage. The Lovings appealed, and once their case reached the Supreme Court, justice was finally served. The Court ruled that our Constitution does not allow a state to prevent you from marrying someone simply because you don’t share the same skin color. For me, this history gives the slogan “Virginia is for lovers” a special meaning.

We’ve all probably felt the power of indeterminable forces trying to divide us based on immutable characteristics. After searching widely to find the exact source of this power, I still couldn’t tell you what it is. But I grow more and more convinced that it’s mostly imagined, fueled primarily by our willingness to give it oxygen. Thankfully, these misguided forces are weak; they only survive when we choose to breathe life into them. At the end of the day, they are built upon one critical, fatal flaw—they ignore that our common humanity transcends immutable traits. Love overlooks those differences, and now, so too does the law.

On this Loving Day 2024, we’d do well to remember that fact. Instead of allowing the ideological forces to divide us, we should take Kenny Chesney’s advice: “Always give love the upper hand. Paint a wall, learn to dance. Call your mom, buy a boat. Drink a beer, sing a song. Make a friend.” Do these basic human things and live by love—the rest will work itself out.

[dozydawn]

Adorence, 1985.

Model: Ann Kirsten Kennis.

[jeffcbliss]

(Left to right) Tom Bukovac, Ann Wilson and Kenny Wayne Shepherd playing with the Jim Irsay Band - Shrine Auditorium; Los Angeles, CA (1-11-24). #TomBukov @annwilson @KWShepherd @IrsayCollection

Photo: Jeff Bliss